Episode 174: Benjamin Swett
Art

Episode 174: Benjamin Swett

  Diane Arbus’s old contact sheets include images she never meant us to see, so would perusing them violate her rights as an artist? Photographer Benjamin Swett says he’d look at them with pleasure, and he makes a persuasive case that he’s not going to hell. Plus, the invention of the circular saw and celibacy reconsidered: surprisingly … Continue reading »

Art

Episode 151: Renee Cox

  Do happy artists produce better work than gloomy artists? Renee Cox contemplates her own work and says yes. I say: Beethoven. We considered the matter at the Interntional Print Center in conjunction with their exhibition Black Pulp. The featured musical performer was Norris Bennett of the Ebony Hillbillies, whose work made me so joyful … Continue reading »

Art

Episode 120: Gregory Crewdson

  Photographer Gregory Crewdson takes pictures much the way a director makes movies: working with a crew, including a DP, and never touching a camera. The results are haunting and beautiful. We convened at Planthouse Gallery with musical guest Paul Grimstad.  PERSON: his father, Frank Crewdson  PLACE: Upper Goose Pond  THING: a Fender Stratocaster guitar … Continue reading »

Art

Episode 97: Barbara Bloom

  Internationally known for her installations – at MOCA, MOMA, the Venice Biennale, The Stedelijk in Amsterdam – she does work that often has a kind of implied narrative: you get the previews, the posters, the ads, but not the movie itself. This was the first in a series of shows at Glenn Horowitz Booksellers. … Continue reading »

Art

Episode 76: Robert Mankoff

 In addition to his own drawings – you’ll recognize his pointilistic style – Robert Mankoff is the cartoon editor of The New Yorker. His cartoon captioned, “No, Thursday’s out. How about never—is never good for you?” is the magazine’s most frequently reprinted. And it provides the title for his new memoir. A funny talker, too. … Continue reading »

Art

Episode 36: Roz Chast

 Born in Brooklyn, Roz Chast is best known for her cartoons for The New Yorker, many other magazines, and more than a dozen books. We note with pleasure how much she sounds like a Roz Chast cartoon: smart, funny, just a bit fretful, and thoroughly appealing. Maybe that’s because her cartoons have taught us to … Continue reading »