These principals of the architectural firm WORKac found it challenging to design their own home. The psychological complexity of domestic life? The culmination of years of thought? “The hardest thing about designing our house was that we just haven’t designed a lot of houses.” Produced with the Center for Architecture. Photo: Harry Willks. Continue reading »
This graphic designer spent her early childhood in Germany. “My father told me, ‘You are Korean, you are a visitor here, and what that means is, you don’t have to fit in.’ For me, that liberated everything.” The power of outsider consciousness. Presented with Base Design. Continue reading »
To be a great architect—or painter or poet or almost anything—do you need a great patron? “Certainly that helps, but then you have to bring the talent and vision and invention,” she says. Oh, well, then, never mind. We spoke at the Louis Armstrong Center, a building they designed. Produced with Open House New York. Continue reading »
This architect, celebrated for repurposing the Domino Sugar Refinery, says that his young colleagues are eager to address the great issues of the day, “as opposed to designing spaceships in the sand built by slaves.” If that’s not the title of his next book, fire the editor. Produced with the Center for Architecture. Continue reading »
He’s done graphic design for Nike, Apple, and the Denver Nuggets, and is happy to confer with clients. Up to a point. “What you can get is design by committee, which to me is the most terrible thing.” (“Short of design by belligerent, knife-wielding committee,” he did not add.) He spoke from Spain, courtesy of … Continue reading »
When this graphic designer worked at Sony Music, the handwriting was already on the wall, the tiny, tiny wall: “It was no longer LPs; it was CDs. The canvas kept shrinking.” And now with digital music, there’s no canvas at all. “It’s not the end of the world; it’s a different paradigm.” Disconcerting optimism, great … Continue reading »
Does use determine design, or does design shape behavior? This architect asserts the latter: “A certain object does make you behave a certain way or do certain things.” For example, a simple lime-squeezer lured her and her family into more lime squeezing than anyone—or any lime—anticipated. Produced with the National Academy of Design. Continue reading »
GLUCK+ architects designed and constructed a building for the WHIN Music Community Charter School, led by Ortiz. How do architects know if a design works well? It’s not their call, says Tom Gluck. “The judges of whether a building’s successful or not are the people in it.” And this building? A triumph, says Charlie Ortiz. Continue reading »
When Europeans take one of his tours, do they seek the Harlem of today or of the Harlem Renaissance? “They’ve got a kind of fable of Harlem,” says this preservationist, and then he goes to work and reconciles the present with the past. Produced with Open House New York. Continue reading »
This interior designer is celebrated for her work on low-income housing projects, but not universally celebrated. Sometimes a client resists: “You’re making it too nice for these people; these people will tear it up.” Bringing good design to “these people.” Presented with the Van Alen Institute. Continue reading »
This Israeli-American architect likes buildings, of course, but it’s the spaces between buildings that he loves. “It’s a blur between public and private, it’s a stage, it’s sort of an in-between territory, a threshold to the city, a place of in-between.” Produced with the Center for Architecture. Photo: Harry Wilks Continue reading »
Some architects want their buildings to endure unchanged for all eternity, but these partners embrace transformation: “We hope our La Brea Museum, 100 years from now, will be appropriated by somebody else.” (By a mammoth with a sense of irony?) Produced with the National Academy of Design. Photo: Harry Wilks Continue reading »