Having received many awards, this actor and playwright says that winning need not be so great nor losing so dreadful. “Some people can win something and lose their minds. I don’t know that losing has to be destructive.” We spoke at The Brick after a matinee of his solo performance in without mirrors.
This Harlem fashion icon owns more than 600 hats. “There were times I would leave my house, get down the hill, and recognize it’s the wrong hat.” She’d turn around and march back up that hill, with the dedication of a true artist. Harlem, history, and hats. Produced with the Maysles Documentary Center.
This pianist made her professional debut at thirteen with the Chicago Symphony Orchestra, at the invitation of Sir Georg Solti. Almost as impressive, she often performs with her sister, a cellist. My sister and I never tour together. And not just because we lack all musical ability. Families!Tuesday, April 21, 6:00Yamaha Artist Services689 Fifth AvenueThis … Continue reading »
His research on the neuroscience of aesthetics suggests that people crave the human touch. “If they think something is made by a person, they like it more; if they think it’s made by a machine they don’t like it.” He does not mention Twinkies. Or the late Joan Rivers. Presented with the Viñoly Foundation. Continue reading »
This scholar says, “What made American fashion different is that it was to be wearable, comfortable, practical.” But not on the red carpet at the Oscars, she did not add. We spoke in conjunction with her exhibition Art X Fashion currently at the Museum at FIT. Continue reading »
I’m reluctant to declare an artist a success or failure. This Syrian-born composer and clarinetist has a better characterization: doing well. “Staying true to what I wanted to do, and leading a fulfilled artistic life.” And he does. Presented with the Hunter College Office of the Arts. Continue reading »
The Cathedral of St. John the Divine is an Episcopal church and more, says its Dean. “I have Jewish, Hindu, Muslim friends who pray here, because it feels like a holy place.” My house shall be a house of prayer for all nations, said Jesus, quoting Isaiah, quoting God. Continue reading »
As portrayed by Michael Boriskin, director of Copland House. “I decided from the time I was in my mid-twenties that there was no such thing as a rival or a competitor, that we were all colleagues.” So modest, and yet so dead. A conversation from beyond the grave. Sort of. Continue reading »
Can architecture be witty? At that scale? At those prices? This architect ponders. “It can certainly be smart, and it can do unexpected things, which doesn’t necessarily make it witty. That might make it clever,” he says wittily. Presented with the Center for Architecture. Continue reading »
This playwright directed his When the Hurly Burly’s Done in Kyiv. “It’s about six young women putting on a play in the middle of a war, to be performed by six young women putting on this play in the middle of a war.” There was an opening-night air raid. Presented with the Hunter College Office of the … Continue reading »
The leader of the Willie Mae Rock Camp describes a device she uses to teach girls about blues and STEM: “It is a collision of culture and technology and future possibilities.” One of those robot vacuum cleaners? Her electronic banjo. Electronic Banjo! Continue reading »
“There are only two reasons to be a journalist,” says this one, “To bear witness—to see things that your viewers or readers or listeners can’t see themselves—and then to use that to hold power to account.” No mention of the food in the greenroom. Austere! Presented with the Hunter College Office of the Arts. Continue reading »
As head of NYC’s Economic Development Corporation, he guided massive projects. “I knew in my twenties that I wanted to be in urban economic development. I actually knew from being a little kid.” When I was a little kid, I wanted to be a cowboy. Presented with the Department of Records and Information Services. Continue reading »
“My father was a pastor. My grandfather was a pastor. My great-grandfather was a pastor.” Why didn’t this composer go into the family business? Perhaps he did. “I’m doing some of the same things as my father, just not in the same place.” Music sacred and secular at Klavierhaus. Continue reading »