As portrayed by Michael Boriskin, director of Copland House. “I decided from the time I was in my mid-twenties that there was no such thing as a rival or a competitor, that we were all colleagues.” So modest, and yet so dead. A conversation from beyond the grave. Sort of.
Can architecture be witty? At that scale? At those prices? This architect ponders. “It can certainly be smart, and it can do unexpected things, which doesn’t necessarily make it witty. That might make it clever,” he says wittily. Presented with the Center for Architecture.
A conversation with the chief theater critic of the New York Times (formerly of the New Yorker), with music from Leonardo Reyna (from the Broadway show Buena Vista Social Club), and the usual Randy Cohen (recently in his living room). Presented with the Hunter College Office of the Arts. Wednesday, March 25, 4:00 Lang Recital Hall 110 East 69 … Continue reading »
This playwright directed his When the Hurly Burly’s Done in Kyiv. “It’s about six young women putting on a play in the middle of a war, to be performed by six young women putting on this play in the middle of a war.” There was an opening-night air raid. Presented with the Hunter College Office of the … Continue reading »
The leader of the Willie Mae Rock Camp describes a device she uses to teach girls about blues and STEM: “It is a collision of culture and technology and future possibilities.” One of those robot vacuum cleaners? Her electronic banjo. Electronic Banjo! Continue reading »
“There are only two reasons to be a journalist,” says this one, “To bear witness—to see things that your viewers or readers or listeners can’t see themselves—and then to use that to hold power to account.” No mention of the food in the greenroom. Austere! Presented with the Hunter College Office of the Arts. Continue reading »
As head of NYC’s Economic Development Corporation, he guided massive projects. “I knew in my twenties that I wanted to be in urban economic development. I actually knew from being a little kid.” When I was a little kid, I wanted to be a cowboy. Presented with the Department of Records and Information Services. Continue reading »
“My father was a pastor. My grandfather was a pastor. My great-grandfather was a pastor.” Why didn’t this composer go into the family business? Perhaps he did. “I’m doing some of the same things as my father, just not in the same place.” Music sacred and secular at Klavierhaus. Continue reading »
This preservationist speaks movingly about his great great grandfather, Samuel Untermyer, “the super-lawyer who took on Hitler.” It’s the comic book Michael Chabon was born to write. A conversation at and about Woodlawn Cemetery. Continue reading »
These Jane Austen scholars note that she long had a diverse readership, but in post-war America that changed. “Publishers pushed her to women specifically. Just like they made pink Cadillacs, they made pink Janes.” Produced with the Grolier Club. Continue reading »
The Curator of Architecture and Design at MoMA enjoys work that surprises, up to a point. “I don’t like gigantic provocations, I like small provocations, the ones that sneak up on you.” Jolted awake, not pummeled into submission. Presented with the Viñoly Foundation. Continue reading »
Celebrated for his use of light, this architect is moved by that from distant stars: “Those photons are around us—we can’t see them—but they are fundamentally carrying the history of the universe.” We spoke at 7 World Trade Center, a building he worked on, through the generosity of Silverstein Properties. Continue reading »
The heirs of deceased playwrights can be finicky about new productions—Samuel Beckett, Arthur Miller—but the head of the Mint Theater has a different experience. “What I tend to run into from estates is, ‘Really? You’re interested in that old play? Great!’” How to revive neglected plays. Continue reading »
The curator and executive director of the AKC Museum of the Dog recalls one owned by Charles Dickens. “It was a Maltese that was so flea-ridden, they regularly had to shave him and bathe him to get rid of all the fleas.” The dog, not Dickens. I think. Dogs in art, ethics, and history. Continue reading »