GLUCK+ architects designed and constructed a building for the WHIN Music Community Charter School, led by Ortiz. How do architects know if a design works well? It’s not their call, says Tom Gluck. “The judges of whether a building’s successful or not are the people in it.” And this building? A triumph, says Charlie Ortiz. Continue reading »

When Europeans take one of his tours, do they seek the Harlem of today or of the Harlem Renaissance? “They’ve got a kind of fable of Harlem,” says this preservationist, and then he goes to work and reconciles the present with the past. Produced with Open House New York.  Continue reading »

This interior designer is celebrated for her work on low-income housing projects, but not universally celebrated. Sometimes a client resists: “You’re making it too nice for these people; these people will tear it up.” Bringing good design to “these people.” Presented with the Van Alen Institute. Continue reading »

This Israeli-American architect likes buildings, of course, but it’s the spaces between buildings that he loves. “It’s a blur between public and private, it’s a stage, it’s sort of an in-between territory, a threshold to the city, a place of in-between.” Produced with the Center for Architecture. Photo: Harry Wilks Continue reading »

Some architects want their buildings to endure unchanged for all eternity, but these partners embrace transformation: “We hope our La Brea Museum, 100 years from now, will be appropriated by somebody else.” (By a mammoth with a sense of irony?) Produced with the National Academy of Design. Photo: Harry Wilks Continue reading »

In addition to his work for corporations (Nike, Apple) and non-profits, this graphic designer documents everything, not just as a way to record an event but as an act of meditation: “Documenting allows me to slow it down and to sit in that space a little longer.” Produced with the Type Directors Club, part of … Continue reading »

Speaking at—and of—Gansevoort Plaza, a public space he designed, landscape architect Ken Smith considers the implications of the past as well as the needs of the present: “Land has memory. It’s really a crime to erase the memory of a place.” Produced with Meatpacking-District BID.  Continue reading »

The president and CEO of the Hudson River Park Trust offers a too-modest explanation of its popularity: “I think there’s a universal urge that people have to see and connect with water.” Melville writes something similar at the start of Moby-Dick. Different ending, though. Continue reading »

Through her many projects, this landscape architect has learned a lot—about nature, about human behavior, about their intersection. Her hope for the future: “Can we just make better mistakes? Can we not make the really really dumb mistakes?” Setting achievable goals. Produced with Open House New York. Photo: Harry Wilks. Continue reading »

On March 2, 2023, the acclaimed architect Rafael Viñoly died suddenly, at 78, just two weeks before our scheduled conversation at the Center for Architecture. Rather than cancel, his son Román used the occasion to reflect on his father. Music: Rich Jenkins. Photo: Harry Wilks. Continue reading »

I respect her as the dean of the Yale School of Architecture, admire her as a practicing architect, but flipped for her when she said, “There are two versions of the story, and both of them are true.” Not contradiction, nuance. The joys of complexity. Presented with the Center for Architecture.  Music: Hubby Jenkins. Photograph: Harry … Continue reading »

No first glimpse of a building was more exhilarating to me than his 1975 Best Products facade in Houston, designed with his firm, SITE. And he did it the old-fashioned way: “I’m probably the last architect on earth who still draws by hand.” Ideas and how they get that way, presented with the National Academy … Continue reading »