He’s done graphic design for Nike, Apple, and the Denver Nuggets, and is happy to confer with clients. Up to a point. “What you can get is design by committee, which to me is the most terrible thing.” (“Short of design by belligerent, knife-wielding committee,” he did not add.) He spoke from Spain, courtesy of … Continue reading »
Category Archives: Architecture & Design
504: Natasha Jen
When this graphic designer worked at Sony Music, the handwriting was already on the wall, the tiny, tiny wall: “It was no longer LPs; it was CDs. The canvas kept shrinking.” And now with digital music, there’s no canvas at all. “It’s not the end of the world; it’s a different paradigm.” Disconcerting optimism, great … Continue reading »
503: Claire Weisz
Does use determine design, or does design shape behavior? This architect asserts the latter: “A certain object does make you behave a certain way or do certain things.” For example, a simple lime-squeezer lured her and her family into more lime squeezing than anyone—or any lime—anticipated. Produced with the National Academy of Design. Continue reading »
496: Thomas Gluck, Charlie Ortiz
GLUCK+ architects designed and constructed a building for the WHIN Music Community Charter School, led by Ortiz. How do architects know if a design works well? It’s not their call, says Tom Gluck. “The judges of whether a building’s successful or not are the people in it.” And this building? A triumph, says Charlie Ortiz. Continue reading »
486: Michael Henry Adams
When Europeans take one of his tours, do they seek the Harlem of today or of the Harlem Renaissance? “They’ve got a kind of fable of Harlem,” says this preservationist, and then he goes to work and reconciles the present with the past. Produced with Open House New York. Continue reading »
475: Kia Weatherspoon
This interior designer is celebrated for her work on low-income housing projects, but not universally celebrated. Sometimes a client resists: “You’re making it too nice for these people; these people will tear it up.” Bringing good design to “these people.” Presented with the Van Alen Institute. Continue reading »
474: Eran Chen
This Israeli-American architect likes buildings, of course, but it’s the spaces between buildings that he loves. “It’s a blur between public and private, it’s a stage, it’s sort of an in-between territory, a threshold to the city, a place of in-between.” Produced with the Center for Architecture. Photo: Harry Wilks Continue reading »
473: Marion Weiss and Michael Manfredi
Some architects want their buildings to endure unchanged for all eternity, but these partners embrace transformation: “We hope our La Brea Museum, 100 years from now, will be appropriated by somebody else.” (By a mammoth with a sense of irony?) Produced with the National Academy of Design. Photo: Harry Wilks Continue reading »
466: Timothy Goodman
In addition to his work for corporations (Nike, Apple) and non-profits, this graphic designer documents everything, not just as a way to record an event but as an act of meditation: “Documenting allows me to slow it down and to sit in that space a little longer.” Produced with the Type Directors Club, part of … Continue reading »
465: Ken Smith
Speaking at—and of—Gansevoort Plaza, a public space he designed, landscape architect Ken Smith considers the implications of the past as well as the needs of the present: “Land has memory. It’s really a crime to erase the memory of a place.” Produced with Meatpacking-District BID. Continue reading »
457: Noreen Doyle
The president and CEO of the Hudson River Park Trust offers a too-modest explanation of its popularity: “I think there’s a universal urge that people have to see and connect with water.” Melville writes something similar at the start of Moby-Dick. Different ending, though. Continue reading »
451: Kate Orff
Through her many projects, this landscape architect has learned a lot—about nature, about human behavior, about their intersection. Her hope for the future: “Can we just make better mistakes? Can we not make the really really dumb mistakes?” Setting achievable goals. Produced with Open House New York. Photo: Harry Wilks. Continue reading »