The celebrated pianist offers not only beauty but context and insight, like this observation: “If you go to any concert and you hear a Dvořák piece, look for the pigeon and the train; they’re always in there.” Pigeons and trains, presented with the Chamber Music Society of Lincoln Center.  Continue reading »

She’s filmed a lot of musicians—Michael Tilson Thomas, Metropolitan Opera productions—but her heart belongs to Doña Carlota Joaquina, princess of Portugal, the Shrew of Queluz: “Any woman who is known as a shrew I would probably like.” Produced with Ralph Farris. Music by Ethel. Continue reading »

When he was in college, he met Duke Ellington. “I was a freshman with a huge afro, an Angela Davis afro, and he pointed at me across the room and said, ‘You must be a musician.’” Thus anointed, he went on to compose operas including X: The Life and Times of Malcolm X and the Pulitzer Prize-winning The … Continue reading »

This terrific bass-baritone enjoys white orchids in his dressing room. They’re beautiful and ephemeral, like—oh, I don’t know—music? Now everything seems like a metaphor. “Everything is a metaphor,” he says. The joys and jolts of a person of color in the world of classical music. Continue reading »

This singer-songwriter and this composer met at artist Mark Kostabi’s house. “He’s attracted to lots of different kinds of people,” she says. “He brings them together, feeds them, gives them wine, and tells us to perform.“ Isn’t that pretty much the Island of Dr. Moreau? Music: Suzanne Vega, Bill Anderson, and the CompCord quartet. Presented … Continue reading »

These musicians admire the Buddhist teacher and “spiritual entertainer” Alan Watts, despite his having led a flamboyantly imperfect life. Debauchery is not strictly required, however; saintliness, too, has its appeal. “If you can be a shining example on this earth, that’s absolutely inspiring as well,” Rachael tells the New York Baha’i Center.   Continue reading »

When this Grammy-winning drummer was just a kid, Wynton Marsalis performed at a local high school. “There were all these people in this auditorium, and I looked at Wynton, and it almost felt like everybody disappeared, and it was just me and him.” A musician meets his destiny. Presented with Ralph Farris of the quartet … Continue reading »

This composer, much admired for his operas, contemplates a happy dichotomy: “These two places are perfectly balanced for the kind of work I do and the kind of life I lead.” Heaven and Hell? New York and Texas? No! His old-fashioned barn-studio and the newfangled MIT Media Lab. Technology, music, and more. Continue reading »

As music students, they were sequestered in Juilliard’s fourth-floor rehearsal rooms. “The fourth floor is all dungeony and without sunlight,” says pianist Dugan. “It’s one of the worst, most magical places ever,” says violinist Yang. Today they have flourishing careers among other human beings. That’s the magic. A conversation at the Kaufman Music Center with … Continue reading »

Pairing a concert pianist with a stage magician means merging distinct performance traditions and can include tensions as well as triumphs. Perhaps that’s why their act is sometimes billed as Magic versus Music—a joke that is not entirely a joke. But what a show! Presented with Ralph Farris of the quartet Ethel. Continue reading »

H. T. Burleigh, Scott Joplin, and Hazel Scott were brilliantly accomplished, enormously successful, and shamefully overlooked, asserts this pianist, the host of NPR’s Amplify with Lara Downes. She deftly reconciles this paradox; you’ll stain the page with your tears. Or would if you were reading this on paper.  Continue reading »

In his 91 years (admittedly, some spent a baby), he’s worked with Thelonious Monk, Dizzy Gillespie, Allen Ginsberg, Langston Hughes. He scored The Manchurian Candidate, was composer in residence for the New York Philharmonic, and made an omelet for Charlie Parker. Another in our series “On Collaboration,” presented with violist Ralph Farris of the quartet Ethel. Continue reading »