This composer, mastermind of “Piano Puzzlers,” feared premature death: “Schubert died at 31, Mozart died at 35, Gershwin died at 39. I thought because my father died when he was 55, that I would, too.” A conversation at Steinway Hall on fathers, sons, and the neuroscience of creativity. Continue reading »

This Grammy-nominated musician, celebrated for his work with the Carolina Chocolate Drops and Rhiannon Giddens, sums himself up: “I play the banjo, talk about Black people, and really love Star Trek.” Hubby in a nutshell at Terra Blues. Continue reading »

Early in his career, the conductor of the National Children’s Chorus interviewed for a job with Sister Stella Maria Enright. “She said, ‘Where did you park?’ And I said, ‘Right in front.’ And she said, ‘There is never parking in front. That is a sign from the holy spirit.’” She was kidding. Kind of. He … Continue reading »

He’s just concluded six-years as conductor of the New York Youth Symphony. As a youth himself, he was taken to Disney Concert Hall. “They asked me what it would feel like if you got to conduct here, and I cried immediately.” Tears of Joy. Presumably. Or some trauma with a little mermaid.   Continue reading »

This esteemed musician tells great stories, but they might not be entirely true. “I got to give it a little something. You got to put a little Tabasco on your food.” Presented with the Neal Rosenthal Group. Music: Henrique Prince and Friends (E.H. Walker, A.R. Ferguson, Hubby Jenkins) of the Ebony Hillbillies. Continue reading »

The celebrated pianist offers not only beauty but context and insight, like this observation: “If you go to any concert and you hear a Dvořák piece, look for the pigeon and the train; they’re always in there.” Pigeons and trains, presented with the Chamber Music Society of Lincoln Center.  Continue reading »

She’s filmed a lot of musicians—Michael Tilson Thomas, Metropolitan Opera productions—but her heart belongs to Doña Carlota Joaquina, princess of Portugal, the Shrew of Queluz: “Any woman who is known as a shrew I would probably like.” Produced with Ralph Farris. Music by Ethel. Continue reading »

When he was in college, he met Duke Ellington. “I was a freshman with a huge afro, an Angela Davis afro, and he pointed at me across the room and said, ‘You must be a musician.’” Thus anointed, he went on to compose operas including X: The Life and Times of Malcolm X and the Pulitzer Prize-winning The … Continue reading »

This terrific bass-baritone enjoys white orchids in his dressing room. They’re beautiful and ephemeral, like—oh, I don’t know—music? Now everything seems like a metaphor. “Everything is a metaphor,” he says. The joys and jolts of a person of color in the world of classical music. Continue reading »

This singer-songwriter and this composer met at artist Mark Kostabi’s house. “He’s attracted to lots of different kinds of people,” she says. “He brings them together, feeds them, gives them wine, and tells us to perform.“ Isn’t that pretty much the Island of Dr. Moreau? Music: Suzanne Vega, Bill Anderson, and the CompCord quartet. Presented … Continue reading »

These musicians admire the Buddhist teacher and “spiritual entertainer” Alan Watts, despite his having led a flamboyantly imperfect life. Debauchery is not strictly required, however; saintliness, too, has its appeal. “If you can be a shining example on this earth, that’s absolutely inspiring as well,” Rachael tells the New York Baha’i Center.   Continue reading »

When this Grammy-winning drummer was just a kid, Wynton Marsalis performed at a local high school. “There were all these people in this auditorium, and I looked at Wynton, and it almost felt like everybody disappeared, and it was just me and him.” A musician meets his destiny. Presented with Ralph Farris of the quartet … Continue reading »