After fifty years as a mezzo-soprano, she still embraces this advice from her first teacher: “Sing as though it comes from the bottom of your heart, because that’s what it’s about.” Her most recent recording is And Crimson Roses Once Again Be Fair. She says it is her last. I hope not.  Photo: Jack Colver. Continue reading »

Flor de Toloache, a mariachi band cofounded by this Latin Grammy winner, is not just all women, it’s all world: “We had women from Australia, Korea, Egypt, Japan.” Which means it could only be formed in New York City. Additional music: Daniel Espiliz, guitar, Shae Fiol, vocals. Produced with Greenwich House School. Continue reading »

This conductor, the music director of the Colorado Music Festival, loved his boyhood summers in Spain. “It was a beautiful place to practice undisturbed and a fantastic place to play soccer, because soccer was my great love, violin and soccer. And then we discovered water skiing.” Mozart, same way: violin, soccer, water skiing. The making … Continue reading »

This singer-songwriter has been admired for fifty years, and yet: “I always wanted a Collings guitar, but it was too expensive, and I just didn’t feel worthy.” If she’s not worthy of the tools of her trade, then what hope is there for us mortals? (Happily, she now has a Collings.) Presented with Richard Barone. Continue reading »

Composers not only create something non-corporeal but also enjoy bringing an actual object into the world. “One of my great great moments was when I finally had a recording of my own in a bin at Tower Records.” (Older people can explain to younger people what record stores were.) The delights of the irrefutably physical. Presented with BMI … Continue reading »

Music offers more than aesthetic pleasure, asserts this conductor: “Music has the power to transport its audiences to a time that no longer exists.” A gentler time, without covid or attack drones or Elon Musk. He’s founded a chamber orchestra, Parlando, on that belief. Continue reading »

As a kid, this mezzo soprano sang in a church choir with this implicit purpose: “To bring joy to people, and bring comfort to people, and help people feel what they need to feel.” Not a bad approach to art or, for that matter, life. Continue reading »

This composer, mastermind of “Piano Puzzlers,” feared premature death: “Schubert died at 31, Mozart died at 35, Gershwin died at 39. I thought because my father died when he was 55, that I would, too.” A conversation at Steinway Hall on fathers, sons, and the neuroscience of creativity. Continue reading »

This Grammy-nominated musician, celebrated for his work with the Carolina Chocolate Drops and Rhiannon Giddens, sums himself up: “I play the banjo, talk about Black people, and really love Star Trek.” Hubby in a nutshell at Terra Blues. Continue reading »

Early in his career, the conductor of the National Children’s Chorus interviewed for a job with Sister Stella Maria Enright. “She said, ‘Where did you park?’ And I said, ‘Right in front.’ And she said, ‘There is never parking in front. That is a sign from the holy spirit.’” She was kidding. Kind of. He … Continue reading »

He’s just concluded six-years as conductor of the New York Youth Symphony. As a youth himself, he was taken to Disney Concert Hall. “They asked me what it would feel like if you got to conduct here, and I cried immediately.” Tears of Joy. Presumably. Or some trauma with a little mermaid.   Continue reading »