Pairing a concert pianist with a stage magician means merging distinct performance traditions and can include tensions as well as triumphs. Perhaps that’s why their act is sometimes billed as Magic versus Music—a joke that is not entirely a joke. But what a show! Presented with Ralph Farris of the quartet Ethel. Continue reading »

H. T. Burleigh, Scott Joplin, and Hazel Scott were brilliantly accomplished, enormously successful, and shamefully overlooked, asserts this pianist, the host of NPR’s Amplify with Lara Downes. She deftly reconciles this paradox; you’ll stain the page with your tears. Or would if you were reading this on paper.  Continue reading »

In his 91 years (admittedly, some spent a baby), he’s worked with Thelonious Monk, Dizzy Gillespie, Allen Ginsberg, Langston Hughes. He scored The Manchurian Candidate, was composer in residence for the New York Philharmonic, and made an omelet for Charlie Parker. Another in our series “On Collaboration,” presented with violist Ralph Farris of the quartet Ethel. Continue reading »

Does learning more about music increase a listener’s pleasure? This esteemed violinist is wary of any barriers to an audience. “We can all be touched by music. Music is something that belongs to all of us.” Sure. But I’m not proposing an admission’s test at Carnegie Hall, just asserting that knowledge is rewarded with joy. But … Continue reading »

This composer and guitar player says that joining with people to make social change is like joining with people to make music. “You’re finding people you work well with, who bring something to the table that you don’t.” A conversation about guitar music and transportation policy. Presented by violist Ralph Farris of the quartet Ethel. Continue reading »

This flutist and composer was born in Chicago, where her grandparents arrived during the Great Migration. “It wasn’t perfect, but it was definitely an upgrade from Mississippi.” There’s a slogan the visitors bureau won’t be using.  A musician reflects on her home town and one of its sons. Another in our series On Collaboration with violist … Continue reading »

Before embracing a more salubrious life in Los Angeles, he rollicked through a years-long spree back east. “New York is paradise if you’re a drunk, and a very challenging place to be sober.” A slogan inexplicably rejected by the New York Visitors Bureau. This master of electronic dance music talks about religion, wilderness, and David Bowie’s … Continue reading »

Every musician relishes applause — who wouldn’t? — but the principal clarinetist of the New York Philharmonic also finds value in an audience booing. “To know that someone was infuriated by a performance or a set or something like that is kind of enjoyable in a sick sort of way, too.” The joys of a … Continue reading »

At age nine, he saw a Leonard Bernstein Young People’s Concert featuring Dmitiri Shostakovich and something happened. In a good way. Trauma free. A conversation with the Pulitzer-winning composer, introduced by Ralph Farris, violist in the quartet Ethel and creator of Co-Lab, a virtual conference on collaboration.  And these guys have. Splendidly. Continue reading »

This trumpet player has sold 72 million albums worldwide, including five number ones, and also founded A&M records. Ordinarily we’d talk about his person, place, and thing, but instead we devote our conversation to his person, songwriter Burt Bacharach — 73 top-forty hits. One enormously successful musician talks about another, with respect and affection. Continue reading »

This trumpeter and composer is celebrated for his film scores, especially for Spike Lee. His opera Fire Shut Up in My Bones is slated to open the new season at the Met. In this episode, we break format; instead of person, place, and thing, we talk song, song, and song. A conversation about three pieces of music. Continue reading »

Does genre give music history and context or is it merely confining? “Genre is BS. I’m sorry. It just is,” says this founding member of the Carolina Chocolate Drops and artistic director of Silkroad. The story of Black string band music — fiddles, banjos, and Jane Austen. Continue reading »