In the 1960s, he had a string of hits with the Shondells: “Hanky Panky,” “Crimson and Clover,” “I Think We’re Alone Now” – 23 gold singles, 9 platinum albums, 100 million records sold. Yet his record company simply declined to pay his royalties: $40 million. Tales of music and the mob. Continue reading »

This quartet performs in concert halls around the globe but still works the Balcony Bar at the Metropolitan Museum of Art. “We’re a bar band,” say artistic directors Ralph Ferris (viola) and Dorothy Lawson (cello). What a band! What a bar! Plus a performance with Face The Music, all at the Kaufman Music Center. Continue reading »

If you’re wildly successful at age six, what do you do next? Eddie Brigati had a string of hit records with the Young Rascals – Good Lovin’, Groovin’, Lonely Too Long – all before 1970. OK, he wasn’t six but he wasn’t near retirement age either. So what did he do with the ensuing 50 … Continue reading »

She’s a composer and vocalist who’s performed with pretty much every orchestra on earth. He’s a composer best known for his electronic music, especially an early work, Silver Apples of the Moon. “Lawyer and Other Lawyer to Wed,” runs pretty much every NY Times wedding announcement. How did it omit theirs? Continue reading »

  This accordion virtuoso has brought American roots music across the globe. He sees the accordion as a symbol of immigrant triumph – Zydeco! Tex-Mex! – and as the instrument of 19th century colonialism. Paradox and polkas. And no darn Lawrence Welk.  PERSON: David Amram  PLACE:a synagogue in Azerbaijan  THING:his accordion  RANDY’S THING: The Impossible … Continue reading »

  This great jazz pianist has been making modern music for most of his 92 years, but he denies it, quoting Duke Ellington: “There’s no such thing as modern music.” He reconciled this paradox in our conversation at the piano at the BMCC Tribeca Performing Arts Center. We spoke, he played, and then: birthday cake! … Continue reading »

 It is the best work that lasts, says this fine musician who’s created plenty, and history determines what that is: “Time will tell,” he says. I demur: “Time won’t tell.” It may be that only good work endures, but just a tiny portion of it will be enjoyed 100 years from now, and that selection … Continue reading »

  During his 45 years producing the concert series Highlights in Jazz, he has gotten to know many brilliant musicians. Dizzy Gillespie once came by the house and played for his cat. But is jazz, if not dead then relegated to a museum piece? The future of an art form: at BMCC-Tribeca Performing Arts Center … Continue reading »

  A performer has obligations to her audience, of course, but jazz singer Tierney Sutton believes that the audience also has obligations to the performer: to be alert, to be present, to listen acutely. “And if I can’t be in that state,” she says, “I don’t go.” For her, music is a spiritual act, an … Continue reading »

  For 33 years, he was David Letterman’s music director and comic sideman, a career that began in Canada with the Toronto production of Godspell, as did those of Gilda Radner, Martin Short, and Andrea Martin. Some production! Some careers! And now what? What do you do when your job ends after three decades? Savvy … Continue reading »

  DJ Alan Freed, who might have coined the term “rock’n’roll,” was destroyed in the payola scandals of the fifties, but he was no more corrupt than his colleagues, says Kenny Vance. And Freed staged some of the first integrated rock shows. Does this mitigate his conduct? Sharp ideas about radio, rock, and the invention … Continue reading »