He led Chicago’s Goodman Theatre and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially, not simultaneously. Presented with Hunter College. Accompanist: Elijah Caldwell. Continue reading »
Category Archives: Theater
529: Moisés Kaufman, Amanda Gronich
Their play Here There Are Blueberries is built around an actual photo album assembled at Auschwitz of the ordinary daily life of the perpetrators. Following a run at the McCarter Theatre, the play is now touring nationally (if you’re reading this early in 2025, not in, oh, 2026 in exile on the Martian penal colony). Continue reading »
525: Zalmen Mlotek, Steven Skybell
“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven’s splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research. Continue reading »
524: Charles Busch
“My life was a bit like the plot of Auntie Mame,” says this actor, writer, and drag legend. He’s got stories about Linda Lavin, Christopher Isherwood, Lily Tomlin, Angela Landsbury, Vivien Leigh, Marlene Dietrich. Plus, he sings. Accompanist: Jono Mainelli. Produced with 54 Below. Continue reading »
514: Kate Burton
This terrific actor is admired for her work in Grey’s Anatomy and Hedda Gabler—range!—so I was sure that she seldom has heard a discouraging word. I was wrong. “Oh, please, are you kidding? I could do a dramatic reading of all my bad reviews.” And she’d be brilliant in it! Produced with Red Bull Theater. Continue reading »
502: Ivo van Hove
Among his many productions, he directed A View from the Bridge and West Side Story on Broadway and collaborated with David Bowie on the musical Lazarus. “It turned out to be—I didn’t know, of course, when we started—the last work that he ever made.” And a surprisingly happy experience. Continue reading »
499: Ty Jones
He is the producing artistic director of the Classical Theatre of Harlem, focusing on work from Sophocles to Shakespeare—the big S playwrights—to explore fundamental ideas. “These are living arguments, these classic plays.” Produced with CTH. This is our last new episode of the season. We’re in reruns through August. Remember: they’re all new if you haven’t heard … Continue reading »
497: Patrick Page
Even as a child, this actor loved Shakespeare. “I would listen every night to John Gielgud’s Ages Of Man or Laurence Olivier’s Henry V or Richard III. I was just sort of marinated in it.” He’s since played many of the great villains, from Iago to the Grinch—Shakespeare and Shakespearean. Produced with Red Bull Theater. Continue reading »
494 Santino Fontana
It can be a challenge for even terrific actors like him to stay fresh and focused night after night. Here’s how he does it: “I’ll make up, you know, Gandhi is in the fourth row; do a great show.” Not madness, technique. And he’s applied it from Hamlet to Tootsie. Produced with Red Bull Theater. Continue reading »
491: Eddie Izzard
Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as ‘this is good for you.’ I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words! Continue reading »
476: Peter Riegert
As a young actor (Local Hero, Crossing Delancey, Animal House) he played Goldberg in The Birthday Party, overseen by Harold Pinter himself. One speech was particularly opaque. “I had no idea what it meant, but to say these words was to be Isaac Stern on the violin.” Learning to trust the writer. Produced with the Museum … Continue reading »
471: Kelley Girod
Although utopia has not arrived, racial segregation has diminished since the reopening of the Apollo Theater in 1934, so is the place still needed? Absolutely, declares its Director of New Works: “The Apollo will always be necessary as long as we have stories to tell.” Presented with the Ford Foundation and the Municipal Art Society. Continue reading »