535: Gregory Mosher
Theater

535: Gregory Mosher

He led Chicago’s Goodman Theatre and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially, not simultaneously. Presented with Hunter College. Accompanist: Elijah Caldwell.  Continue reading »

Theater

499: Ty Jones

He is the producing artistic director of the Classical Theatre of Harlem, focusing on work from Sophocles to Shakespeare—the big S playwrights—to explore fundamental ideas. “These are living arguments, these classic plays.” Produced with CTH. This is our last new episode of the season. We’re in reruns through August. Remember: they’re all new if you haven’t heard … Continue reading »

Theater

497: Patrick Page

Even as a child, this actor loved Shakespeare. “I would listen every night to John Gielgud’s Ages Of Man or Laurence Olivier’s Henry V or Richard III. I was just sort of marinated in it.” He’s since played many of the great villains, from Iago to the Grinch—Shakespeare and Shakespearean. Produced with Red Bull Theater. Continue reading »

Theater

491: Eddie Izzard

Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as ‘this is good for you.’ I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words! Continue reading »

Theater

471: Kelley Girod

Although utopia has not arrived, racial segregation has diminished since the reopening of the Apollo Theater in 1934, so is the place still needed? Absolutely, declares its Director of New Works: “The Apollo will always be necessary as long as we have stories to tell.” Presented with the Ford Foundation and the Municipal Art Society.  Continue reading »