Among his many productions, he directed A View from the Bridge and West Side Story on Broadway and collaborated with David Bowie on the musical Lazarus. “It turned out to be—I didn’t know, of course, when we started—the last work that he ever made.” And a surprisingly happy experience. Continue reading »
Category Archives: Theater
499: Ty Jones
He is the producing artistic director of the Classical Theatre of Harlem, focusing on work from Sophocles to Shakespeare—the big S playwrights—to explore fundamental ideas. “These are living arguments, these classic plays.” Produced with CTH. This is our last new episode of the season. We’re in reruns through August. Remember: they’re all new if you haven’t heard … Continue reading »
497: Patrick Page
Even as a child, this actor loved Shakespeare. “I would listen every night to John Gielgud’s Ages Of Man or Laurence Olivier’s Henry V or Richard III. I was just sort of marinated in it.” He’s since played many of the great villains, from Iago to the Grinch—Shakespeare and Shakespearean. Produced with Red Bull Theater. Continue reading »
494 Santino Fontana
It can be a challenge for even terrific actors like him to stay fresh and focused night after night. Here’s how he does it: “I’ll make up, you know, Gandhi is in the fourth row; do a great show.” Not madness, technique. And he’s applied it from Hamlet to Tootsie. Produced with Red Bull Theater. Continue reading »
491: Eddie Izzard
Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as ‘this is good for you.’ I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words! Continue reading »
476: Peter Riegert
As a young actor (Local Hero, Crossing Delancey, Animal House) he played Goldberg in The Birthday Party, overseen by Harold Pinter himself. One speech was particularly opaque. “I had no idea what it meant, but to say these words was to be Isaac Stern on the violin.” Learning to trust the writer. Produced with the Museum … Continue reading »
471: Kelley Girod
Although utopia has not arrived, racial segregation has diminished since the reopening of the Apollo Theater in 1934, so is the place still needed? Absolutely, declares its Director of New Works: “The Apollo will always be necessary as long as we have stories to tell.” Presented with the Ford Foundation and the Municipal Art Society. Continue reading »
463: Alan Shayne
As young actor—he’s now 97— he studied with Stella Adler along with Marlon Brando, (“He was a great actor but an impossible person.”) a saga he recounts in The Star Dressing Room. One of them became the head of Warner Brothers Television, the other became Marlon Brando. Photo courtesy of John Ekizian. Continue reading »
460: Lynn Nottage, Jonathan Lethem
Lifelong friends, these writers grew up on the same block. His newest book is Brooklyn Crime Novel; she is developing the Imitation of Life musical with John Legend and Liesl Tommy. Presented with The New York Women’s Foundation: advancing economic, gender, and racial justice for women and families. Continue reading »
443: BD Wong
His Broadway debut, in M. Butterfly,won every award going except the Nobel Prize in Mathematics. Fair enough: there is no Nobel Prize in Mathematics. He renewed everyone’s admiration with Law & Order: SVU, and that’s not the half of it, or even the quarter, but why be precise? It’s not as if there’s a Nobel at stake. Produced with … Continue reading »
441: Jackie Hoffman
This terrific comic actor started early: “At five-years-old, I used to sing ‘You Make Me Feel So Young,’ and it got a laugh, and I didn’t know why.” She’s learned, on TV (Only Murders in the Building), on Broadway (Hairspray), and off (the Yiddish Fidler). Continue reading »
413: Machine Dazzle
This costume designer, known for his work with playwright Taylor Mac, rejects the old saw, there’s no accounting for taste. “Yes, you account for taste. It is part of who you are. And maybe I’m judging you right now. No. I’m kidding.” I don’t think he’s kidding. We talk sense and sensibility and suits at … Continue reading »