The head of the Roundabout Theatre, he’s worked with, well, everyone, and knows that meeting a childhood idol is risky; they can be horrible people. But what joy when “the person you dreamed about actually turn out to be wonderful. Wonderful!” Hear who, in this conversation at the BMCC Tribeca Performing Arts Center. … Continue reading »
Is Julie Chen’s defense of her husband, Les Moonves, pathetic stand-by-your-manism or admirable personal loyalty? A surprising analysis from the creator of the darkly comic films “Welcome to the Dollhouse” and “Happiness.” This fall he makes his playwriting and stage directing debut with “Emma and Max,” described as “a satire of tragic dimensions,” at … Continue reading »
Every dramatic movie but nearly no straight play uses musical underscoring. This celebrated playwright has astute ideas about why that is. Plus, what she did instead of going drinking with James Baldwin. A conversation at Signature Theatre with music from – yes! – Suzan-Lori Parks and the band. Person: James Baldwin Place: Fort Knox … Continue reading »
A veteran of 60 years in the theater, he makes a counterintuitive – and sadly convincing – point: colorblind casting can mean more parts for white actors. On the one hand, every role should be open to every actor: you needn’t be a Dane to play Hamlet. On the other, an all-white Raisin in … Continue reading »
He is the founder of Theatre for a New Audience where she has directed many plays including the current Winter’s Tale. They both assert that much of the meaning of a text resides in the very sound of the words. Thus a Swedish translation of Shakespeare conveys meaning even to a non-Swedish speaker. I’m … Continue reading »
Most of us live without fame; the world simply ignores us. Noah Brody and Ben Steinfeld of Fiasco Theater assert that obscurity offers real rewards; a meaningful artistic life depends on it. When artists say that sort of thing, they’re generally rationalizing, but this time I believe them. How to have friends, family, and … Continue reading »
This fine actor was first admired by many people my age as Salieri in Amadeus and those my daughter’s age as Dar Adal in Homeland. We spoke at the Friars Club about his childhood in El Paso – El Paso! – his passionate devotion to our immigrant nation, and his suprising friendship with Louis C.K. … Continue reading »
I expected this playwright (admired for Learning to Drive) and this writer-performer (admired for his character Jomama) to be astute about theater, and they are. They also have provocative ideas about gender. “I feel – I don’t know if you agree with this – that my gender changes every day,” says Paula, “and maybe … Continue reading »
The children of immigrants can be embarrassed by their parents’ ties to their homeland: “Speak English, Mama. We’re Americans now.” Freedom means shedding the oppressive past. But playwright NSangou Njikam sought freedom by embracing his history, tracing his roots to Cameroon, and taking an African name. Two historical contexts, two routes to the same goal. … Continue reading »
Some people who’ve profoundly affected our cultural life are esteemed by their colleagues but little known to us civilians. Actor Michael Urie, admired by both groups, reflects on one such person, James Houghton, founder of the Signature Theater. Plus transit tips and gift advice. With music from Patrick Farrell. A conversation in conjunction with the … Continue reading »
Our friends provide kindness, but we are also drawn to harsher souls with “big personalities” and small social skills whose rigor makes us better people. And by “we,” I mean playwright David Ives. A conversation at Classic Stage Company about tenderness and severity with the author of Venus in Fur and CSC’s current production, … Continue reading »
Art often fails. Writers discard first drafts (and second, third, and fourth). Painters trash early sketches. And even when completed work enters the world, some is transcendent, but much is hopelessly earthbound. Or so I believe, but Heidi Rodewald and Stew, creators of the musical Passing Strange, demur. “I don’t think art is ever wrong,” … Continue reading »