She is a fine actor and an honorable person with a weakness for that racist claptrap Gone With the Wind. “That’s the dichotomy in my heart and soul,” she tells the English Speaking Union. She’s not alone. It is the second most beloved book in America, behind only the Bible. When good people love bad … Continue reading »

   The head of the Roundabout Theatre, he’s worked with, well, everyone, and knows that meeting a childhood idol is risky; they can be horrible people. But what joy when “the person you dreamed about actually turn out to be wonderful. Wonderful!” Hear who, in this conversation at the BMCC Tribeca Performing Arts Center. … Continue reading »

  Every dramatic movie but nearly no straight play uses musical underscoring. This celebrated playwright has astute ideas about why that is. Plus, what she did instead of going drinking with James Baldwin. A conversation at Signature Theatre with music from – yes! – Suzan-Lori Parks and the band.  Person: James Baldwin  Place: Fort Knox … Continue reading »

  A veteran of 60 years in the theater, he makes a counterintuitive – and sadly convincing – point: colorblind casting can mean more parts for white actors. On the one hand, every role should be open to every actor: you needn’t be a Dane to play Hamlet. On the other, an all-white Raisin in … Continue reading »

  He is the founder of Theatre for a New Audience where she has directed many plays including the current Winter’s Tale. They both assert that much of the meaning of a text resides in the very sound of the words. Thus a Swedish translation of Shakespeare conveys meaning even to a non-Swedish speaker. I’m … Continue reading »

  Most of us live without fame; the world simply ignores us. Noah Brody and Ben Steinfeld of Fiasco Theater assert that obscurity offers real rewards; a meaningful artistic life depends on it. When artists say that sort of thing, they’re generally rationalizing, but this time I believe them. How to have friends, family, and … Continue reading »

  I expected this playwright (admired for Learning to Drive) and this writer-performer (admired for his character Jomama) to be astute about theater, and they are. They also have provocative ideas about gender. “I feel – I don’t know if you agree with this – that my gender changes every day,” says Paula, “and maybe … Continue reading »

The children of immigrants can be embarrassed by their parents’ ties to their homeland: “Speak English, Mama. We’re Americans now.” Freedom means shedding the oppressive past. But playwright NSangou Njikam sought freedom by embracing his history, tracing his roots to Cameroon, and taking an African name. Two historical contexts, two routes to the same goal. … Continue reading »

  Some people who’ve profoundly affected our cultural life are esteemed by their colleagues but little known to us civilians. Actor Michael Urie, admired by both groups, reflects on one such person, James Houghton, founder of the Signature Theater. Plus transit tips and gift advice. With music from Patrick Farrell. A conversation in conjunction with the … Continue reading »