She and her neighbors—untrained, uncredentialed—revived the Bronx River and are taking on the hideous Cross Bronx Expressway. “We’re just a group of Bronxites with ambitious ideas.” Presented with the Architectural League, in conjunction with the exhibition Cross Bronx/Living Legend at the Bronx River Art Center.
“The least interesting thing about a book is its contents, assert the curators of the recent Grolier Club exhibition After Words: Visual and Experimental Poetry in Little Magazines and Small Presses, 1960-2025. Now my head hurts. Seldom have I felt older or enjoyed a conversation more.
A designer of sets and costumes, he’s received 24 Tony nominations and has worked on 80 Broadway shows, 30 films, and 52 Paul Taylor dances (all numbers confirmed) plus 35 national cat shows. (I made this up, but really, what can’t he do?) Our event will include dance performances featuring his work. Friday, October 10, 5:30Paul Taylor … Continue reading »
In 1972, his parents, Massimo and Lella, designed a map of the New York subway system. Many people hated it. I loved it. (I have one framed on my living room wall.) The MTA soon withdrew it. Now it’s back, slightly revised. Good news in bleak times. Continue reading »
As a member of Manhattan Transfer, she won ten Grammy awards, but “I was not going to be a singer at all, actually; I was going to be a nurse.” Medicine’s loss, music’s gain. Guitar: Sean Harkness. Presented with The Village Trip, whose annual festival begins September 19. Continue reading »
Her father, Leonard Bernstein, thought “that if he could write a good enough song, maybe he could stop war.” Not insane, aspiring. “It’s ridiculously idealistic, but that was his impetus.” Tales of a famous father. Presented with The Village Trip, whose annual festival begins September 19. Continue reading »
He’s a (now former) member of The Washington Post’s editorial board, a commentator on the PBS NewsHour, anchor of The Weekend on MSNBC, author of Yet Here I Am. He is liberal in his politics, conservative in his dress. “Absolutely. I love a good, wild outfit, on someone else.” Continue reading »
When this drummer was a kid, his father introduced him to an array of music, from Tito Puente to Dobie Gray. “He bought himself a La-Z-Boy chair. He would sit there after dinner, smoke a cigarette, and zone out listening to music.” Bad for the lungs, great for the soul. The making of a musician. … Continue reading »
She’s a special correspondent for BBC Studios, a regular contributor to MSNBC, and co-host, with Anthony Scaramucci, of the podcast The Rest Is Politics. “People call journalists curious; I think it’s just nosiness.” A higher form of nosiness! Continue reading »
The YIVO Institute for Jewish Research makes many of the 24 million items in its archive available online, but there’s an “electric moment of actually touching a document,” says its executive director. “My first was when Lenin’s party card was put in my hand.” (Patrons are urged not to touch the documents. This is not … Continue reading »
This Obie-winning actor created the role of Helen in the Classical Theatre of Harlem’s Memnon. “It is definitely under-utilized. Underappreciated.” Greek mythology in modern theater? That too, but here she refers to the peanut in American cooking. See her in Marcus Garvey Park throughout July. Working. Not just lounging around. Continue reading »
Decades ago, he shook hands with W. E. B. Du Bois, born in 1868. It seems impossible, but then again Einstein was a contemporary of Billy the Kid. Lewis went on to write a Pultzer-Prize winning biography of Du Bois. Einstein went on to be Einstein. Presented with the Maysles Documentary Center. Music: Henrique Prince. Continue reading »
These principals of the architectural firm WORKac found it challenging to design their own home. The psychological complexity of domestic life? The culmination of years of thought? “The hardest thing about designing our house was that we just haven’t designed a lot of houses.” Produced with the Center for Architecture. Photo: Harry Willks. Continue reading »
The artistic director of the Paul Taylor Dance Company summarizes his aesthetic: “The curtain goes up, twenty minutes happen, the curtain comes down, and it is transformative.” Easy to say, brilliant to achieve. And they do. Continue reading »