Art

588: James Snyder

Gilbert Stuart’s portrait of George Washington does not convey his actual appearance, says the Jewish Museum’s director. “It’s the way Washington wanted to present himself.” The dubious task of the society painter, plus 3,500 years of Jewish life expressed as art. Listen quickly. Photo: Harry Wilks. Continue reading »

Art

493: Pete McBride

How did we allow the ruin of the Colorado River? “We think that water comes from the tap,” says this photographer of wild places. “We’ve lost the idea that water comes from natural systems.” See the results of our folly in his book, The Colorado River: Chasing Water. Then weep. Then fight. Then drink. Presented with Fotografiska. Continue reading »

Art

436: Nina Katchadourian

This artist says, “An object that has been fixed again and again by multiple owners has a particularly fascinating history to me.” And so we’ve tweaked our format to Thing, Thing, Thing, in particular to Broken Thing, Broken Thing, Broken Thing. Produced with the Morgan Library and Museum. Music: Brian Dewan.  Photo: Harry Wilks. Continue reading »

Art

421: Steven Heller

This graphic designer is admired for his decades as an art director at the Times, for his teaching, and for his books, including his most recent, Growing Up Underground, a memoir of his youth in the East Village of the sixties: ”It was disgusting, but in a good way.” Produced with the Type Directors Club, part of The One … Continue reading »

Art

390: Ed Sorel

Drawing for The Nation, Vanity Fair, and The New Yorker, he created stinging caricatures of powerful people. You’d think they’d complain. You’d be wrong. “These people are delighted to be made fun of by the ridiculous people who think that they’re so funny. They know just how powerless we are.” Reflections at age 92 on the happy life of … Continue reading »

Art

389: Sylvia Plachy

When I moved to New York, in 1973, The Village Voice was at the center of downtown life, and her weekly photographs were at the center of the Voice, capturing not just the way things looked but also the way they felt. Today? “Now I’m in my seventies, and I no longer have a community.” Art, aging, and angst—presented … Continue reading »