Admired for fiction (The Russian Debutante’s Handbook) and non-fiction (Little Failure), he began at age five when his grandmother asked him to write a book about Lenin. “She paid me a piece of cheese for every page I wrote, and I wrote 100 pages. I love cheese.” A conversation at the Marlene Meyerson JCC Manhattan with music … Continue reading »
He is a New York Times best-selling writer – 170 books, translated into 34 languages, with sales of over 6 million – but if you are a childless adult, you likely don’t know his name. If you are a 12-year-old YA reader, however, you cheer when you hear it. Plus, the sweet fried dough … Continue reading »
A novelist and Pulitzer-winning columnist, when she was in college she babysat Maggie Haberman, who grew up to be a terrific political reporter. A torch is passed, a head is spinning: mine. Plus music from the splendid quartet Ethel; some other part of my body is awhirl. PERSON: Charles Dickens PLACE: 229 West 43 … Continue reading »
The going price of a vote in the thirties? $5. How did they know you voted their way? By sandpapering the voting-both curtain so they could see through it. Forget it, Jake, it’s Albany. Tales of political corruption from the author of Ironweed and more. PERSON: Dan O’Connell PLACE: Times Union Building THING: the … Continue reading »
We all deceive ourselves, says the author of Call Me By Your Name, who provides a hierarchy of self-deception. “The most glaring one, the most painful one, is to imagine yourself being loved by some people who absolutely hate you.” How many really love you? Maybe 50%. “That’s a good number.” Hard truths and … Continue reading »
Best known as the creator of the Goosebumps books, a mighty empire of YA horror, R. L. Stine began as a humor writer, and sees interesting connections between laughter and fear. “It’s like writing punch lines; every chapter has some kind of surprising cliffhanger ending.” We spoke several years ago – he was one of … Continue reading »
Blindfold a child, put a bat in her hand, and promise her candy, a lot of candy. What could go wrong? Nothing, says the author of the darkly delightful Mister Monkey, in a deft defense of pinatas. Plus: what to do when a neighbor has automatic weapons, poetry from Bob Holman who was entirely … Continue reading »
Things have changed since she moved to a small town in the Hudson Valley. Now there are scented-candle stores to the left of her, a neighbor with a grenade launcher to the right of her, volleyed and thundered. Gentrification and odder incursions go rural. Plus memories of Spalding Gray, poetry from Bob Holman, music … Continue reading »
He’s framed a ticket to the World Series game Sandy Koufax did not pitch and a sheet of Freud’s stationery on which the great man did not write. In the second of a two-part episode recorded at JCC Manhattan, Jonathan Safran Foer describes the pleasures of the non-event and the joys of possessing archaeological … Continue reading »
By letting us not only understand but inhabit its characters, does a novel reveal the commonality of human experience or demonstrate our differences? Both, of course, but Jonathan Safran Foer is particularly sympathetic to the former. In the first of a two-part episode recorded at JCC Manhattan, we discuss the joys of intimacy and … Continue reading »
Iceland is a paradise for writers, with its highly literate population, generous government grants and total absence of cockroaches. Unfortunately there are only 330,000 Icelanders, so even if they all buy your book your horizons are limited. Fortunately that’s why the novelist (and print-maker, and translator and more) Hallgrímur Helgason visited America. A conversation at the … Continue reading »
If you want to write about the Arctic, must you visit the Arctic? The splendid writers Jim Shepard and Joshua Ferris think not. Are they asserting: write about what you don’t know? It’s complicated. And delightfully so. A conversation about actual landscapes and landscapes of the imagination, at the Center for Fiction, with music … Continue reading »