In 1958, with Hamilton Holmes, she desegregated the University of Georgia and went on to a distinguished career in journalism. Her early inspiration? Brenda Starr. “I read about her in the comic strips in my grandmother’s newspaper; she read three newspapers a day.” Continue reading »
Category Archives: Nonfiction
438: Margalit Fox
For years, the obituaries she wrote for The New York Times were the first thing I’d read in the paper—elegant little biographies, exemplary work in a form that she says was once “the scarlet O you wore on your dress that said, I’m a bad writer but the paper doesn’t quite have enough on me to be … Continue reading »
412: Mary Norris
When Homer refers to the “wine-dark sea,” does he mean red, white, or rosé? He intends no color whatever, asserts the author of Greek to Me, who offers an ingenious alternative. Wine and the Greeks: in the ancient world, the modern world, the world of mythology. Presented with The Neal Rosenthal Group. Music: Avram Pengas. Continue reading »
411: Henry Alford
This writer is astute and amusing about manners, aging, and their intersection: “The shusher in the movie is always much louder than the person who’s talking; I’ve become a shusher.” Impressively, he has the self-awareness to recognize it, the courage to admit it, and the sense of humor to make it bearable. Continue reading »
405: Meera Subramanian
This environmental journalist has covered stories all over the world, but she seldom knows how they continue after she departs: “What keeps me up at night is that all these stories stay with me, and I don’t know the ending all the time.” A conversation about girls in India, maps of Texas, and falcons over … Continue reading »
402: Steven Greenhouse
A former labor reporter for the New York Times, he is surprisingly optimistic: “When the first Starbucks voted to unionize in Buffalo back in December, that was a humongous deal.” Humongous! (A word that does not appear in his most recent book, Beaten Down, Worked Up: The Past, Present, and Future of American Labor.) Continue reading »
383: David Gonzalez
This Times journalist is particularly astute about New York’s Puerto Rican neighborhoods, so you’d think he’d be eager to see the new West Side Story. You’d be wrong. “I don’t like someone who doesn’t know my culture, doesn’t know my language, doesn’t know my community . . . I don’t really need to see West Side Story. … Continue reading »
372: Dorinda Elliott
A journalist with expertise in China, Newsweek’s former Beijing bureau chief says, “The struggle between intellectuals and the merchant class continues in China, but at the moment it’s kind of like money trumps everything.” I’m glad I don’t live in a country like that. We defeated our intellectuals long ago. Produced with the China Institute. Continue reading »
370: Emily Raboteau
Many people share this writer’s admiration of John James Audubon as a naturalist and an artist, especially his magisterial Birds of America. “But fewer people know about him as a slave owner and a white supremacist,” she says. Birds, beauty, climate change, and racial justice: it’s complicated. And delightfully so. Produced with Orion Magazine. Continue reading »
356: Louis Menand
Author of The Free World: Art and Thought in the Cold War, he is as sophisticated an intellectual as any of his colleagues at The New Yorker. The book that set him on his path? A Hardy Boys mystery, The Secret of the Old Mill. “I read this, and my heart was pounding. And I thought, I want to … Continue reading »
350: Tony Hiss
His most recent book, Rescuing the Planet: Protecting Half the Land to Heal the Earth, is surprisingly upbeat for a book whose title includes the words “rescuing” and “heal.” I discovered him through an earlier work, The Experience of Place, in honor of which we break format and, instead of person place thing, talk place place place. Continue reading »
344: Bill McKibben
A writer and environmentalist, he counts himself lucky to have worked at The New Yorker with (for? near?) William Shawn, “the greatest editor of the twentieth century.” What contributed to his mastery? “Once he had writers in his stable, he was quite interested in what they were interested in.” Professional skill as a manifestation of individual character. Continue reading »