These gallerists have much to say about the artist Kaws. To Brigitte: “He is probably the only artist that is an absolute gateway drug into the art world.” So should he be admired or arrested? Definitely the former, they agree. Presented with the New York Academy of Art. Music: Piedmont Bluz. Photo: Harry Wilks. Continue reading »
Author Archives: Randy Cohen
434: Gary Urbanowicz
To this historian, the story of the New York City Fire Department is the story of New York City. “It’s not just throwing the wet stuff on the red stuff; it’s the other aspects that really are fascinating.” Presented with the New York City Fire Museum. Continue reading »
433: Yiyun Li
“I think the best writers always know the characters more than the characters know themselves,“ she says. The author of The Book of Goose talks about War and Peace, Wuthering Heights, the stories of William Trevor, and her old army buddies. Produced with A Public Space and Rizzoli Bookstores. Music: Liz Hanley. Continue reading »
432: Wu Han
The celebrated pianist offers not only beauty but context and insight, like this observation: “If you go to any concert and you hear a Dvořák piece, look for the pigeon and the train; they’re always in there.” Pigeons and trains, presented with the Chamber Music Society of Lincoln Center. Continue reading »
431: Jack Lynch
As a scholar of 18th-century literature, this Rutgers professor wants to pin down what actually occurred, but certain facts remain stubbornly elusive. Does it drive him nuts? “Some things from 350 years ago just aren’t going to be known, and I think I can live with that.” It’s almost Zen. Continue reading »
430: Anna Sacks
The self-described Trash Walker prowls corporate dumpsters, seeking egregious waste, and yet she says, “I love stuff, and I want to make that clear. I love things. I think that’s one of the reasons I’m so attracted to the trash.” A paradox resolved at Materials for the Arts. Music: Reid Jenkins. Continue reading »
429: Molly McBride
She’s filmed a lot of musicians—Michael Tilson Thomas, Metropolitan Opera productions—but her heart belongs to Doña Carlota Joaquina, princess of Portugal, the Shrew of Queluz: “Any woman who is known as a shrew I would probably like.” Produced with Ralph Farris. Music by Ethel. Continue reading »
428: Darren Walker
As president of the Ford Foundation, he supported Monticello’s efforts to improve its depiction of the enslaved Black people who built it and of Thomas Jefferson, who owned it. “I believe that Thomas Jefferson and his home are one and the same.” Produced with the Municipal Art Society. Guest host: Jami Floyd. Music: Rashad Brown. Continue reading »
427: Lorraine Frazier
Rightly proud of her field, she declares, “We’ve been the most trusted profession in the country for twenty-some odd years.” Police? Priests? Tech execs? Finance weasels? Yeah, right. Nurses! She’s the dean of the Columbia University School of Nursing. Music: Caitlin Warbelow. Continue reading »
426: Ammon Shea
“Many people think that the big words are the big part of the dictionary,” says this lexicographer, “but it’s the little words that are so full of life and variation and complexity,” We talk about “go” and more as Person Place Thing becomes Word Word Word. Continue reading »
425: Hernan Diaz
Like Conrad, Nabokov, and Beckett, this novelist—In the Distance, Trust— writes in a language other than the one he spoke as a child, and it helps him see the world afresh: “If you move out of one language and into another, it is like moving out of one country and into another.” A conversation at … Continue reading »
424: Anthony Davis
When he was in college, he met Duke Ellington. “I was a freshman with a huge afro, an Angela Davis afro, and he pointed at me across the room and said, ‘You must be a musician.’” Thus anointed, he went on to compose operas including X: The Life and Times of Malcolm X and the Pulitzer Prize-winning The … Continue reading »