He leads the Mint Theater, praised by Ben Brantley as the “resurrectionist extraordinaire of forgotten plays,” currently The Crooked Cross, a 1934 work about the rise of fascism in a small German town. I can’t imagine why they chose that play at this time. Music: Sean Hagerty.Saturday, September 27, following the 2:00 show(So, 4:00 or 4:30-ish)Mint … Continue reading »
Her father, Leonard Bernstein, thought “that if he could write a good enough song, maybe he could stop war.” Not insane, aspiring. “It’s ridiculously idealistic, but that was his impetus.” Tales of a famous father. Presented with The Village Trip, whose annual festival begins September 19. Continue reading »
“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven’s splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research. Continue reading »
Dean of the Columbia Graduate School of Journalism and a staff writer for The New Yorker, he says, “When people ask what I think is the foundational institution of democracy, I always say: ‘the public library.’” Enjoy it while we’ve got it. And what’s left of our democracy. Continue reading »
He wrote Ken Russell’s Women in Love, geeze, 50 years ago, then wrote plays (The Normal Heart) and novels (Faggots). Amidst the emerging AIDS epidemic, he helped found the Gay Men’s Health Crisis and Act Up. Accomplished, right? Not according to him. “I feel like I failed,” he says. A life examined. Continue reading »