Affectionately called “Train Daddy,” he has run transit systems in London, Toronto, and New York, where few people in such jobs are affectionately called anything. He reflects with feeling on subways, seaports, and the almost moral duty to support your home team. “You can’t chop and change.” Continue reading »
Author Archives: Randy Cohen
413: Machine Dazzle
This costume designer, known for his work with playwright Taylor Mac, rejects the old saw, there’s no accounting for taste. “Yes, you account for taste. It is part of who you are. And maybe I’m judging you right now. No. I’m kidding.” I don’t think he’s kidding. We talk sense and sensibility and suits at … Continue reading »
412: Mary Norris
When Homer refers to the “wine-dark sea,” does he mean red, white, or rosé? He intends no color whatever, asserts the author of Greek to Me, who offers an ingenious alternative. Wine and the Greeks: in the ancient world, the modern world, the world of mythology. Presented with The Neal Rosenthal Group. Music: Avram Pengas. Continue reading »
411: Henry Alford
This writer is astute and amusing about manners, aging, and their intersection: “The shusher in the movie is always much louder than the person who’s talking; I’ve become a shusher.” Impressively, he has the self-awareness to recognize it, the courage to admit it, and the sense of humor to make it bearable. Continue reading »
410: Ulysses Owens Jr.
When this Grammy-winning drummer was just a kid, Wynton Marsalis performed at a local high school. “There were all these people in this auditorium, and I looked at Wynton, and it almost felt like everybody disappeared, and it was just me and him.” A musician meets his destiny. Presented with Ralph Farris of the quartet … Continue reading »
409: Gernot Wagner
This climate economist is surprisingly optimistic about onrushing environmental catastrophe. “Things are dire, yes, but things are moving much much faster in the positive direction than anyone would have imagined five, ten years ago.” A ray of hope! “Now, is it fast enough? No.” A ray of gloom. Produced with the New-York Historical Society’s Climate … Continue reading »
408: Robin Nagle
“It’s grand, it’s palatial, it’s beautiful,” says the anthropologist-in-residence for the NY Department of Sanitation about a garage. She is happy in her work. A scholar looks at what we throw away and what it says about us. Presented with the Sanitation Foundation. Music: John Sherman. Photo: Harry Wilks. Continue reading »
407: J. J. Sedelmaier
This animator—you don’t know his name, but you know his work for MTV and SNL—is fascinated by Samuel Insull, Thomas Edison’s former assistant, who brought electricity to Chicago, achieved global fame, and whose name you (and I) also didn’t know. “There’s no reason he shouldn’t be up there with Carnegie and J. P. Morgan.” Music: … Continue reading »
406: Tod Machover
This composer, much admired for his operas, contemplates a happy dichotomy: “These two places are perfectly balanced for the kind of work I do and the kind of life I lead.” Heaven and Hell? New York and Texas? No! His old-fashioned barn-studio and the newfangled MIT Media Lab. Technology, music, and more. Continue reading »
405: Meera Subramanian
This environmental journalist has covered stories all over the world, but she seldom knows how they continue after she departs: “What keeps me up at night is that all these stories stay with me, and I don’t know the ending all the time.” A conversation about girls in India, maps of Texas, and falcons over … Continue reading »
404: Peter Dugan and Charles Yang
As music students, they were sequestered in Juilliard’s fourth-floor rehearsal rooms. “The fourth floor is all dungeony and without sunlight,” says pianist Dugan. “It’s one of the worst, most magical places ever,” says violinist Yang. Today they have flourishing careers among other human beings. That’s the magic. A conversation at the Kaufman Music Center with … Continue reading »
403: Deborah Berke
I respect her as the dean of the Yale School of Architecture, admire her as a practicing architect, but flipped for her when she said, “There are two versions of the story, and both of them are true.” Not contradiction, nuance. The joys of complexity. Presented with the Center for Architecture. Music: Hubby Jenkins. Photograph: Harry … Continue reading »