He led Chicago’s Goodman Theatre and pretty much created theater at Lincoln Center. “The happiest moments of my life have been in rehearsal rooms.” Well, yeah. In there with him? David Mamet, Tennessee Williams, Samuel Beckett. Sequentially, not simultaneously. Presented with Hunter College. Accompanist: Elijah Caldwell. Continue reading »
She sang lead on some of Manhattan Transfer’s biggest hits (“Chanson D’Amour”), wrote some of their arrangements (“Birdland”), and for all I know, drove the tour bus. (A GMC, I irresponsibly conjecture.) Is there anything she can’t do? She’ll perform, accompanied by guitarist Sean Harkness. Produced with the Village Trip.Thursday, May 29, 6:00 La Lanterna di … Continue reading »
This lawyer works on health policy at Columbia’s Mailman School: “Public health in a certain sense is about balancing, the rights we have as individuals with the needs of society to preserve, protect, and promote the health of the population.” Not a bad approach to democracy in general. Continue reading »
This children’s book author—Because of Winn-Dixie, The Tiger Rising, The Tale of Despereaux—describes her innate ability: “I have a knack for nothing except being filled with wonder.” I’d dispute that, as would legions of admiring readers. Continue reading »
This graphic designer spent her early childhood in Germany. “My father told me, ‘You are Korean, you are a visitor here, and what that means is, you don’t have to fit in.’ For me, that liberated everything.” The power of outsider consciousness. Presented with Base Design. Continue reading »
“We got it from Lauren Bacall,” says this curator. The flu? Certainly not. An Elsa Peretti handbag, one of 700 items from Bacall’s wardrobe donated to the Museum at FIT, where it was featured in Hill’s recent exhibition, Fashioning Wonder: A Cabinet of Curiosities. Continue reading »
“The disease, the people believed, was caused by sorcery and could be cured by sorcery,” says this bioethicist. By “the people” he does not allude to RFK Jr. but to a stone-age tribe in New Guinea. Potato/Potahto. Produced with Columbia University’s School of Professional Studies. Music: Rich Jenkins. Continue reading »
Their play Here There Are Blueberries is built around an actual photo album assembled at Auschwitz of the ordinary daily life of the perpetrators. Following a run at the McCarter Theatre, the play is now touring nationally (if you’re reading this early in 2025, not in, oh, 2026 in exile on the Martian penal colony). Continue reading »
This historian, in CCNY’s Black Studies Department, says, “If I want to have a good writing day, I take the train an hour and fifteen minutes to somewhere I love, the quietest place in New York.” Silence and thought. Music: Birsa Chatterjee, saxophone; Raul Reyes, bass; Victor Gould, piano. (Not silent, much appreciated.) Continue reading »
After fifty years as a mezzo-soprano, she still embraces this advice from her first teacher: “Sing as though it comes from the bottom of your heart, because that’s what it’s about.” Her most recent recording is And Crimson Roses Once Again Be Fair. She says it is her last. I hope not. Photo: Jack Colver. Continue reading »
The new president of Hunter College is a champion of “social infrastructure,” describing it as “A public good. Everybody uses it, nobody owns it.” Libraries, schools, parks, or, in a decent society, healthcare. That’s nostalgia! Or hope. Continue reading »
“Isaac Bashevis Singer called my mother the Sherlock Holmes of Yiddish songs,” says Zalmen. His family heritage and Steven’s splendid singing were big factors in the triumph of Fiddler on the Roof in Yiddish. Presented by the National Yiddish Theatre Folksbiene and the YIVO Institute for Jewish Research. Continue reading »