These principals of the architectural firm WORKac found it challenging to design their own home. The psychological complexity of domestic life? The culmination of years of thought? “The hardest thing about designing our house was that we just haven’t designed a lot of houses.” Produced with the Center for Architecture. Photo: Harry Willks.
The artistic director of the Paul Taylor Dance Company summarizes his aesthetic: “The curtain goes up, twenty minutes happen, the curtain comes down, and it is transformative.” Easy to say, brilliant to achieve. And they do.
She says, “Virginia Hall was the first female field agent―spy―for Churchill’s secret army, the British SOE, and the spy the Nazis dubbed the most dangerous of all Allied spies in World War II.” She should know; she wrote and stars in A Call To Spy, a feature film about Hall’s exploits. Continue reading »
“I identify as a clown,” he says, understating his range as a performer, having portrayed George on Broadway in Who’s Afraid of Virginia Wolf and Mr. Noodle on Sesame Street in Elmo’s World. And yet even a career as luminous as his has its disappointments: “I once asked John Cleese to play Pozzo in Waiting for Godot. Wouldn’t it have … Continue reading »
He is a founding partner of COOKFOX Architects, known for green buildings, including the Bank of America Tower at One Bryant Park, and the Stephen Sondheim Theatre. During our conversation he said, “Hope doesn’t disappoint.” He also said, “stinking, rotting, flaming, sliding, hell on earth.” Something for everyone, via the Center for Architecture. Continue reading »
A regular on CBS Sunday Morning and NPR’s Wait, Wait . . . Don’t Tell Me!, he has a historic-homes preference: “I like the houses of the presidents that you can’t remember were actually president, the guys between Lincoln and Teddy Roosevelt.” And they’re a great fit for his other project, Mobituaries, what with their being, you know, dead. Continue reading »
He is a Pulitzer-winning architecture critic whose most recent book is Ballpark: Baseball in the American City. My favorite of his least recent books is The City Observed: New York — a lovely blend of the scholarly and the personal. Hosted by the Center for Architecture. Continue reading »
Does genre give music history and context or is it merely confining? “Genre is BS. I’m sorry. It just is,” says this founding member of the Carolina Chocolate Drops and artistic director of Silkroad. The story of Black string band music — fiddles, banjos, and Jane Austen. Continue reading »
She is not the only architect to see her work as a force for social justice, but she is one of the few to pursue graduate work in public policy to improve the interactions of designers and the officials who can make their visions a reality. A conversation at the Center for Architecture with the … Continue reading »
Admired for both comedy (30 Rock) and drama (Streetcar), he is an astute observer of other actors and once wrote a fan letter to Tom Courtenay for his work in The Loneliness of the Long Distance Runner. Courtenay replied, “How odd that you would take the time to write this to me about this film I did so long ago.” No … Continue reading »
She has produced more than 90 plays on and off Broadway, from The Normal Heart to Kinky Boots. Producers open shows and close shows. She enjoys the rare distinction of having unclosed a show. “I went to the theater one night, just quietly by myself, before half-hour, and I walked over to the board where the closing notice was posted, … Continue reading »
Celebrated as a performer and composer, this Columbia professor is particularly noted for his computer music that draws on artificial intelligence. So is the computer a tool for making sound or a tool for thinking? Neither. “It’s actually a tool for investigating subjectivity.” A conversation made possible by the American Academy of Arts and Letters. Continue reading »
Even his setups are funny, like this: “There was a taxidermy kiwi at a store in London.” Or this: “Everybody in the family convinced the youngest child that if she was naked, she was invisible.” Funny, a bit cruel, and entirely delightful. His new book, The Best of Me, will beor perhaps has been published the … Continue reading »
For decades, he has provided astute political commentary with an admirable knack for seeing contemporary events in historic perspective. During our conversation, he prudently contextualized some of his observations, “when this nightmare is over,” referring either to the coronavirus or to the current administration (circa 2020), but which one? Listen. Continue reading »