Theater

491: Eddie Izzard

Her solo performance of Hamlet—yes, all the parts (Rosencrantz and Guildenstern)—should be accessible to everyone. “Shakespeare is presented to people these days as ‘this is good for you.’ I’ve heard the term ‘spinach theater.’” The trick? Avoid vegetables, emphasize history, preserve the beauty of the verse: words, words, words! Continue reading »

Theater

471: Kelley Girod

Although utopia has not arrived, racial segregation has diminished since the reopening of the Apollo Theater in 1934, so is the place still needed? Absolutely, declares its Director of New Works: “The Apollo will always be necessary as long as we have stories to tell.” Presented with the Ford Foundation and the Municipal Art Society.  Continue reading »

Theater

463: Alan Shayne

As young actor—he’s now 97— he studied with Stella Adler along with Marlon Brando, (“He was a great actor but an impossible person.”) a saga he recounts in The Star Dressing Room. One of them became the head of Warner Brothers Television, the other became Marlon Brando.  Photo courtesy of John Ekizian. Continue reading »

Theater

443: BD Wong

His Broadway debut, in M. Butterfly,won every award going except the Nobel Prize in Mathematics. Fair enough: there is no Nobel Prize in Mathematics. He renewed everyone’s admiration with Law & Order: SVU, and that’s not the half of it, or even the quarter, but why be precise? It’s not as if there’s a Nobel at stake. Produced with … Continue reading »

Theater

379: Lillias White

She won a Tony for the musical The Life, an Emmy for Sesame Street, and is the voice of Calliope in Disney’s Hercules. She’s just wrapping up a Broadway run—at age 70—in Chicago. And this: “They put me up on top of the dining room table, and I would sing and dance for my family.” In 2017. No, no, no: as a … Continue reading »